After successful workshops and collaborative performance by SOAS, City University, RHUL, and East 15th Acting School for BALI IN WESTMINSTER on March 24, 2018 at the Indonesian Embassy
Previous Bali Module shows with local musicians and dancers:
Epicenter of Cultural Arts Collaboratory
World cultural artists and performers are welcome to network and develop a stronger performance position with exhibition outcomes, ensuring the preservation of cultural expression while encouraging contemporary extensions. At this moment we are keen to work with the Emerald and international artists as we have extensive experience in gamelan music, dance, mask, teaching and are also a custodian of the ancient artistic cultures of Bali.
Bali Module offers (but is not limited to) the following courses in theory, demonstration, and practice:
| PEDAGOGICAL COMMITTEE | |
| Instructors/Lecturers: | Areas of Expertise: |
| Prof. I Wayan Dibia, Ph.D. | Dance Composition, The lore and philosophy of Balinese artists, Bali Aesthetic Concept and Culture in the Current Global Context, and Taksu (the ultimate power of unmediated knowledge). |
| Prof. I Nyoman Sedana, Ph.D. | Theory of Art Creation; Theory of Creativity in Puppetry (Wayang and Topeng); Educational Art Theory; Theatre in Time of Terrorism; Wayang puppet theatre, The Sacred Music Gender Wayang (the eldest extant challenging Gamelan music of Bali), Kecak choir, Selected repertoire of dance, music, and drama forms, Art Management. |
| Prof. I Made Bandem, Ph.D. | Ethnomusicology, Art Management and Anthropology, Performance theories, and Cultural Diplomacy |
| Prof. Dr. I Made Titib | History, Basic Philosophy and Region of Balinese People |
| I Nyoman Catra, Ph.D. | Topeng masked dance, Arja opera, Play construction, & Speech Diction and Voice recital |
| Last King of Gianyar, A A Gde Berata, SH | Balinese architecture and its meaning in traditional leadership |
| Lat King of Kesiman Palace, Gusti Ngurah Kusuma Wardana (Turah) | Social Criticism and Commentary in Balinese Contemporary Arts |
| Desak Swarthi Laksmi,MA. | ‘Tembang’ sung poetry, Arja opera, and Dance performance |
| Ni Wayan Seniasih, S.Sn. | Dance, Costumes, Make ups, choreography and performance practice |
| Kadek Wahyudita, M.Si (Penggak Palace Art Manager) | Introduction on Gamelan: the theory, composition, and performance practice. |
| I Nyoman Windha, MA. | Gamelan music composition and performance practice. |
| I Ketut Kodi, M.Si. | Topeng mask making and performance: Bondres comic characters, Voice, Speech, and Diction |
| I Gusti Nr. Serama Semadi, M.Si. | Legong classical dance and wayang painting |
| Drs. I Wayan Kun Adnyana, M.Hum. | Painting, Exhibition, and Fine art theories |
| I Kutut Sudiana,S.Sn.,M.Sn. | Wayang carving and puppet making |
| I Wayan Nartha | Wayang Puppet making |
| I Kadek Budi Setiawan, S.S. (Capung) | Wayang Puppet making |
| I Putu Rekayasa | Wayang puppet making |
| I Dewa Made Supartha
(De Letno) |
Topeng mask making |
| I Wayan Wina Widyatama (Wina) | The Challenge of Balinese Artists in the High Cost of Economic Culture; Balinese Performing Art Manager License; Communication and Media Liaison |
| Made Georgiana Triwinadi (Georgian) | Wayang puppetry workshop and performance in full English |
| Dr. Ida Bagus Suwamba
I Made Sidia, SSP.,MSi. Wayan Purwanto, S.Sn. Gung Rahma Putra (PhD Candidate) |
History, Religion, and Basic Philosophy of Balinese People
Cotemporary Bali Wayang Puppetry Refined male dance Cotemporary Balinese Dance |
I Nyoman Sedana, Ph.D.(Director of Balimodule & Professor at ISI Denpasar) bali.module@yahoo.com Tel. (+62-361) 244589 M +62 81999541284
Manager Kamajaya Art Ins and PEPADI (Indonesian Puppetry Community) Office of Cultural Division, Gianyar Regency.
balimodule 